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it takes little time for her to acknowledge her inexperience and realize the pointlessness of crashing studio gates and hounding agents.She gets a regular job as a waitress at Brown's Confectionery Shop, a popular film-colony hangout near Grauman's Chinese Theater.He's convinced that she has a good chance at making it in pictures.He asks her if she would like his help in securing a studio contract.Having had a bit of exposure in amateur theatricals, the thought of breaking into movies and acting on the screen like her idol Margaret Sullavan appeals to her. Two family friends plan a drive to Los Angeles and offer to take her along.Her mother urges her to go, and she sees this as an opportunity to get out of a rut. Having it no other way, she shares expenses for the journey.She declines, not wanting to jeopardize her budding romance with Fred Wallace. Demarest understands and tells her that he will always be there for her if she changes her mind. She comes to hate her job and the time it takes her away from her son. She discusses the matter with her husband and contacts William Demarest.Artie Johnson, assistant of top Paramount director-producer Wesley Ruggles, notices her one day at the studio's little theater, where twice a month drama coaches Phyllis Laughton and Oliver Hinsdell showcase young stock players in an assortment of scenes from plays and films.
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Johnson brings her to Ruggles, and she screen tests a few days later and wins the part.
At the outset of filming, her dark brown hair is lightened to an auburn shade, and her name is changed.
the manager of Grant's enters her in a local beauty contest run by the Englewood Kiwanis Club, and she walks away with the "Miss Englewood" title.
Friends encourage her to try her luck in Hollywood.